
Marvel Comics in the 1970s
About This Project
This blog serializes the first draft of a book in progress, Marvel in the 1970s: The World Inside Your Head (under contract with Cornell University Press).
Marvel in the 1970s saw a transformation that initially looked seamless on the surface, but proved almost as dramatic as Bruce Banner turning into the Hulk. The new, younger writers who took over the titles shifted the emphasis and perspective from the “world outside your window” to the “world inside your head.” In a thoroughly visual medium and a decidedly action-oriented genre, these writers went beyond mere quirks of characterization and and angst-filled monologues to a quixotic attempt at interiority.
After a chapter about humanism in the era of Stan Lee, Jack Kirby, and Steve Ditko, this book/blog focuses on the work of five writers: Marv Wolfman (Tomb of Dracula), Doug Moench (Planet of the Apes, Werewolf by Night, Shang-Chi: Master of Kung Fu) , Steve Englehart (Avengers, Captain America, Captain Marvel, and Doctor Strange), Don McGregor (Black Panther and Killraven), and Steve Gerber (Howard the Duck, Man-Thing, Omega the Unknown, The Defenders). The comics they produced at Marvel during the 1970s were a crucial step forward in the evolution of the medium, but the peculiarities of the industry and market at the time have been an obstacle to a broader readership in the era of self-contained graphic novels.
(In)Humanism
In 1960s Marvel Comics, humanism and interiority were two sides of the same coin.
The Secret Identity and the Divided Self
Bruce and the Hulk are two different people who are forced into a dissociative time-share
This Man...This Monster!
There is no real gap between Ben Grimm and the Thing. What we see is what we get
Peter Parker and the Monologic Imagination
Peter Parker would be the perfect Hamlet if one could only imagine a radioactive spider biting a Danish prince
Words vs. Pictures
For Lee, the only way to demonstrate an inner state was to move it into the outer world
Diamonds among the Garbage
These comics are not diamonds among the garbage, but diamond swith a garbage core
The Voice of the Lizard Is Heard in Our Land
The aesthetic success of Enigma would have been impossible at Marvel two decades earlier
Enigma: The Best Marvel Comic of the 1970s
The best Marvel comic of the 1970s was published in 1993 by Vertigo, an imprint of DC Comics.